I get questions sometimes regarding mixes my friends are making. They are feeling it, but something is missing.
It sounds good....but not great. It's been well recorded and the takes are good but there is something lacking in the mix. That's when some of your most critical listening should take place.
When you have everything for a good song, but the mix is just
so-so. That's when you should try these tips to make your mix great.
If you have string parts or long sustained
notes, try making them flow via automation, whether it's volume
automation or reverb swelling. Think of the sound as waves flowing from
one place to another intertwining with each other.
For new mixers it may be easy to just slap on a compressor preset and be done with it. "It says snare compressor so that's just what I need." Next time try tweaking the preset and working the parameters according to your song.
Maybe it needs less attack or more threshold. Whatever it is, fiddle around with it until it excites you. Otherwise you run the risk of it sounding generic.
Similar as the one before. I think reverb is such an
important part of a mix that you should take special care in choosing
it. Make sure your reverb fits in the song. It's the glue that fits
everything together and should primarily be used that way.
Later you can go and add reverb for effect on some tracks. Take care in
choosing your reverbs and go through your banks one by one
before settling one which one to choose. I have loads of convolution
reverb pulses in Logic's Space Designer I go through every time I'm
working on a song.
Sometimes that plate reverb I used on the last song for great effect
sounds horrible on the one I work on later.
In the same vein, don't clutter up your mix with too
much reverb or effects. It just clashes with the tracks and makes
everything much less defined.
Whether it's the vocal, guitars or whatever, just try to
find interesting stuff to lock the listener in your song. If it's
always the same and there's no dynamics nor interesting production, the
listener quickly gets bored.
If the song is just a basic song with a strong main
thing, like the vocal you can always add little stuff to add interest
yourself.
Ambient sounds underneath, long reverb trails on selected phrases,
tap-tempo delays, panning automation. There's a lot you can do to a
simple song to make the production or mix great.
Automate, automate, automate. This sums up everything I've mentioned before. If you do a little bit of all the above tips and then automate them, you're sure to have a better sounding mix by the end of it. Or at least a more dynamic and alive one.
That's just a few tips off the top of my head. They're the
ones I try to follow when I mix a song and usually it works out nicely.
At least I always end up with a cooler sounding song and a technically
greater mix.
Sometimes I forget and put way too much reverb or can't be bothered to
change preset settings, but most of the time, keeping these things in
mind helps my work immensely.
For more information and some great mixing tips, click here
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